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Three Cornered Moon (1933)

Nellie Rimplegar has to tell her grown children that due to her bungled handling of their finances, the family has been wiped out by the Stock Market crash. Friend and family doctor, Alan ... See full summary »


Elliott Nugent


S.K. Lauren (screenplay), Ray Harris (screenplay) | 1 more credit »
1 win. See more awards »


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Credited cast:
Claudette Colbert ... Elizabeth Rimplegar
Richard Arlen ... Dr. Alan Stevens
Mary Boland ... Mrs. Nellie Rimplegar
Wallace Ford ... Kenneth Rimplegar
Lyda Roberti ... Jenny
Tom Brown ... Eddie Rimplegar
Joan Marsh ... Kitty
Hardie Albright ... Ronald
William Bakewell ... Douglas Rimplegar
Sam Hardy ... Hawkins
Rest of cast listed alphabetically:
Joan Clark Joan Clark ... Show Girl


Nellie Rimplegar has to tell her grown children that due to her bungled handling of their finances, the family has been wiped out by the Stock Market crash. Friend and family doctor, Alan Stevens, tells them they'll all need to eliminate their extravagant ways and get jobs. Stevens also rents a room in their house more as a way to be near pretty Elizabeth Rimplegar, than to help their finances. Stevens faces competition from Elizabeth's beau, Ronald, a free-loading writer who remains oblivious to her money woes. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis


THE REMPLEGARS WERE NIT-WITS! Going Around in Circles---Wondering Why They're Dizzy! (original print ad) See more »









Release Date:

8 August 1933 (USA) See more »

Also Known As:

A Comédia de um Lar See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


This film was based on a play that ran at Broadway's Cort Theatre from March to May of 1933. Elizabeth Rimplegar, the character played by Claudette Colbert in the movie, was portrayed by 36 year-old Ruth Gordon on stage. This was the same Ruth Gordon who went on to play character roles in movies in later years, including memorable parts in Rosemary's Baby and Harold and Maude. See more »


Three-Cornered Moon
Music by Ralph Rainger
Lyrics by Leo Robin
See more »

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User Reviews

A REAL Depression comedy...
23 April 2014 | by binapiraeusSee all my reviews

This movie is indeed astonishing: it starts out like some silly, light comedy about an upper-class Brooklyn family, living, without a care in the world, in a big house with servants and everything, exclusively on money from their stocks. BUT then the Depression reaches even their home: practically overnight, they find themselves flat broke. And, having lived for so long in their 'castle in the skies', they just haven't got any idea about what to do at first.

And then they start waking up: the only way out for the three grown boys and the girl is - to FIND A JOB! And that's what they do, and where they first meet with the difficulties of REAL life; and so, one by one, they wake up to reality - and they finally discover that they LIKE it: from being lazy parasites, they've become useful members of society...

Of course, it's by FAR not as 'educational' a picture as this may sound - anyway, it's a pre-Code movie, and it's got lots of frivolous and funny moments to provide first-class comedy entertainment. The cast is great, from Claudette Colbert as the daughter of the house who's got to choose between a daydreaming writer and a down-to-earth doctor, to Mary Boland as the 'lady of the house' who just doesn't seem to know at all what's happening, to Lyda Roberti, no less - the seductive 'Million Dollar Legs' beauty from the 1931 W.C. Fields movie - , who plays the Polish cook here who never seems to understand a word in English, but stays with the family nonetheless, even without pay; a real proof of her great acting range!

And yet, the message is there, even amidst all the hilarious fun - and it's MOST up-to-date, too: today, there are breadlines and people on the dole everywhere again, and formerly well-to-do families who now have to WORK for a living; and once you've got used to it (and have been as lucky as to FIND a job), you UNDERSTAND. You understand that it feels GOOD to be a useful member of society instead of an idler that lets others feed him... QUITE a message for a 'simple' comedy that's pretty much underestimated today in comparison with many of its other, much more forgettable contemporaries!

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