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Feel My Pulse (1928)

A rich but hypochondriac heiress inherits a sanitarium. What she doesn't know is that it is a front for bootleggers, and a hideout for criminals on the run from the law.


Gregory La Cava


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Cast overview:
Bebe Daniels ... Barbara Manning
Richard Arlen ... Her Problem
William Powell ... Her Nemesis
Melbourne MacDowell Melbourne MacDowell ... Her Uncle Wilberforce
George Irving ... Her Uncle Edgar
Charles Sellon ... Her Sanitarium's Caretaker
Heinie Conklin ... Her Patient


A rich but hypochondriac heiress inherits a sanitarium. What she doesn't know is that it is a front for bootleggers, and a hideout for criminals on the run from the law.

Plot Summary | Add Synopsis


Holy Stethoscopes! It's Love it is! And in every acute form, too. Nothing will cure it but moonlight and kisses. Such excitement! Such fun! Don't miss Dr. Bebe! (Print Ad-South Coast Times and Wollongong Argus, ((Wollongong,NSW)) 8 June 1929)







Release Date:

26 February 1928 (USA) See more »

Also Known As:

Apalpa Meu Pulso See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:


Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Despite being critically panned and a box-office disappointment, this film has enjoyed the appreciation of contemporary critics. It is one of few of Bebe Daniels' starring vehicles to survive. See more »


Barbara Manning: Keep the vehicle stationary while I lubricate my larynx.
See more »


Featured in Commune (2005) See more »

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User Reviews

Arlen Shines, but Powell Disappoints as a Listless Heavy
13 March 2008 | by JohnHowardReidSee all my reviews

I've come to the conclusion the people don't rate a review on IMDb on the basis of whether they found it useful, or even whether they agreed or disagreed with the reviewer's comments on the movie itself, but strictly on the basis that the reviewer has either praised a star who is no longer regarded as with-it, or demoted a star who is regarded as one of Hollywood's super-elite. I made both mistakes with the following review. I praised Richard Arlen and demoted William Powell – even though Powell himself often said that his characterization in this movie was not a performance he was proud of, and that he was simply tired of playing the villain. Anyway, although Louise Brooks always regarded Richard Arlen as one of the least capable actors in Hollywood, Arlen was in fact extremely charismatic in the right part. Oddly enough, it was the simple, easy, one-dimensional parts like his role in "Beggars of Life" that had directors like Wellman tearing their hair in frustration. But give Dick a complicated what-she-didn't-know-was, and he was terrific. His charming performance in this movie is an excellent example of the skill that enables him to carry off the acting honors with seeming ease, outclassing both William Powell (whose lack of enthusiasm at once again playing the heavy is patently obvious) and even Bebe Daniels (who plays on just the one hysterical note throughout with no subtlety whatever). To make the screenplay work, Bebe should at least partly meet her match in Powell. But she doesn't. She walks all over him from the first, and this destroys any comic tension in the plot. It's not until she comes up against Heinie Conklin that we find an actor who can equal Arlen in keeping her at bay. Director La Cava and photographer J. Roy Hunt do their best to keep up the pace and give the plot developments much-needed credibility and atmosphere, but finally go all out instead for an over-the-top, slapstick conclusion. Available on both an excellent Grapevine DVD and a just barely watchable Alpha.

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